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| 001 | 11752 | ||
| 003 | OSt | ||
| 005 | 20241121153529.0 | ||
| 008 | 150422s2006 xx gr 000 0 und d | ||
| 040 |
_aCo-BoBEC _cCo-BoBEC _bspa |
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| 100 |
_aOsorio, Oswaldo _eAutor _98120 |
||
| 245 |
_aNuevos medios - El video y otras expresiones artísticas : _bterritorio híbrido y posmoderno / _cOswaldo Osorio |
||
| 260 | _c(Oct. - Dic.) 2012 | ||
| 300 | _aPáginas 1 - 126 | ||
| 520 | _aSi el video ha significado un cambio radical en la concepción y percepción de las artes visuales, pues las ha dotado de movimiento y, por eso mismo, les ha otorgado la posibilidad de representar, además del espacio, el tiempo y el cambio, entonces la video instalación - si se partiera de una lógica acumulativa - tiene no solo todas esas cualidades y componentes de la instalación, sino que se le suman todas las características de la imagen videográfica. | ||
| 591 | _aColombia | ||
| 650 | 2 | 4 |
_aCine _vRevistas _zColombia _922704 |
| 650 | 2 | 0 |
_aCine y televisión _xCine _955318 |
| 650 | 2 | 4 |
_aPublicaciones seriadas _zColombia _ySiglo XX _98116 |
| 650 | 2 | 0 |
_aKinetoscopio _922917 |
| 773 | 0 |
_gNo. 100 (Oct. - Dic. 2012) _oEdicion 100 especial _tKinetoscopio _x0121-3776 |
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