| 000 | 02544nam0a22003131i 4500 | ||
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| 001 | 6049 | ||
| 003 | OSt | ||
| 005 | 20250917090408.0 | ||
| 008 | 100422s2007 xx gr 000 0 und d | ||
| 020 | _a9780814254998 | ||
| 040 |
_aCo-BoBEC _bspa _cCo-BoBEC |
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| 041 | _aeng | ||
| 082 | _a791.436520973 / B142c | ||
| 100 |
_aBaker, Christina N. _96051 _eautora |
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| 245 | 0 | 0 |
_aContemporary black women filmmakers and the art of resistance / _cChristina N. Baker |
| 260 |
_aColumbus: _bThe Ohio State University Press, _c2013 |
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| 300 |
_a195 páginas: _bfotografías blanco y negro ; _c23 cm |
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| 490 | _aBlack performance and cultural criticism | ||
| 504 | _aIncluye índice, introducción, apéndice y bibliografía. | ||
| 520 | 3 | _aChristina N. Baker’s Contemporary Black Women Filmmakers and the Art of Resistance is the first book-length analysis of representations of Black femaleness in the feature films of Black women filmmakers. These filmmakers resist dominant ideologies about Black womanhood, deliberately and creatively reconstructing meanings of Blackness that draw from their personal experiences and create new symbolic meaning of Black femaleness within mainstream culture. Addressing social issues such as the exploitation of Black women in the entertainment industry, the impact of mass incarceration on Black women, political activism, and violence, these films also engage with personal issues as complex as love, motherhood, and sexual identity. Baker argues that their counter-hegemonic representations have the potential to transform the narratives surrounding Black femaleness. At the intersection of Black feminism and womanism, Baker develops a “womanist artistic standpoint” theory, drawing from the work of Alice Walker, Patricia Hill Collins, bell hooks, Audre Lorde, and Kimberlé Crenshaw. Analyzing the cultural texts of filmmakers such as Ava DuVernay, Tanya Hamilton, Kasi Lemmons, Gina Prince-Bythewood, and Dee Rees—and including interviews she conducted with three of the filmmakers—Baker emphasizes the importance of applying an intersectional perspective that centers on the shared experiences of Black women and the role of film as a form of artistic expression and a tool of social resistance. | |
| 546 | _aTexto en ingles | ||
| 591 | _aColombia | ||
| 650 | 0 |
_923970 _aCine y medios _vestudios Americanos |
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| 650 | 0 |
_936758 _aEstudios de Género y Sexualidad |
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| 650 | 0 |
_929190 _aEstudios raciales y étnicos |
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| 942 |
_2ddc _cBK _aBECMA |
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_c97249 _d97249 |
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| 999 | _d97249 | ||
| 999 | _d97249 | ||