Journal of films & culture - Seúl: Kodak vision; 1996. - 30 páginas.

Publicación mensual.

Spring (1996) Cultural heritage of tomorrow (film) / Shin Woo Stick (pág. 2) --
Film archive & research on film history / Muhn Hae -Ju (pág. 4) --
On film format / Kim Tchang Yu (pág. 7) --
Restoration of a porsecutor and the lady teacher / Bae Jong Kwang (pág. 10) --
New gray scale /color chart for the cinematographer and the telecine operator / Choi Ick Hwan (pág. 14) --
An old film the night before the independence / Kim Soo Yong (pág. 18) --
The meaning of making short film / Kim Su Nam (pág. 21) --
Directorial style in Lee, Mahn Hee’s films in terms of realism / Jung Jae Hyung (pág. 24) --
Material status / KFA (pág. 28) --
Program infos / KFA (pág. 30). (1996) The film: a heritage for tomorrow / Hyun Chan Ho (pág. 2) --
The film archive of the National Centre for Cinematography / Michelle Aubert (pág. 5) --
On depth of field / Tchang Yu Kim (pág. 10) --
Image processing techniques for enhancing image database / Joon Ki Paik (pág. 14) --
The suicide squad on the watchtower / Soo Yong Kim (pág. 21) --
New media age an short films / Han Kin (pág. 25) --
Retrospective of Kil Jong Ha / Hyo In Lee (pág. 29) --
As every little makes a miracle / Jong Won Kim (pág. 33) --
Technical issues of film preservation / Gee Hwan Sul (pág. 36). (1997) Materials of moving images in the new media age / Dong Ho Kim (pág. 2) --
The China film archive – recalling the past and looking forward to the future / Chen Jingliang (pág. 6) --
Attack of the vinegar syndrome / Chie teuk Ahn (pág. 22) --
A young shape directed by Toyota Shiro / Soo Yong Kim (pág. 28) --
No development of the korean cinema without development of short films / Dae Hyun Kim (pág. 30) --
Arirang and imja upnun narutbae (a boat lost its owner) / Chang Hug (pág. 33) --
Before and after writing history of the korean cinema / Young Il Lee (pág. 37) --
New media and preservation of moving images / Gee Hwan Sul (pág. 42). (1997) Present and future of virtual reality / Kim Moon Hwan (pág. 2) --
Preserving Australia’s fil heritage / Mark Juddery (pág. 5) --
Technology trends in multimedia and digital broadcasting / Jeong Je Chang (pág. 11) --
Understanding film exposure and light meter usage / Kim Tchang Yu (pág. 21) --
A document in motion / Lee Sang Ki (pág. 26) --
Love and pledge / Kim Soo Yong (pág. 29) --
The korean documentary / Byun Young Joo (pág. 31) --
Hong, Sung Ki, maestro of melodrama / Chung Yong Tak (pág. 34) --
My collection of film related materials / Kim Chong Woock (pág. 37) --
97 annual report of FIAF / Sul Gee Hwan (pág. 39). (1997) Cinematic individual / Min Choi (pág. 2) --
Primeras noticias, primeros años, primeras películas / Diego Rojas Romero (pág. 5) --
Usage of advanced image technology / Dong Hyun Kim (pág. 15) --
Digital audio for theater screeming / Myung Bae Cho (pág. 21) --
Color conundrum / Tchang Yu Kim (pág. 27) --
Beautiful community spirit / Soo Yong Kim (pág. 31) --
The story of short films / Sung II chung (pág. 33) --
The last patriotic director – Lee. Gang Chun/ In Shik Byun (pág. 36) --
Time and tide reflected by films / Jong Wha Chung (pág. 40) --
Legal deposit / Gee Hwan Sul (pág. 44). (1997)
Cinema be the center of the 21st Century Culture / Hyon Ung Shin (pág. 2) --
Introducing the National Film Center Japan: past, present and future / Hisashi Okajima (pág. 6) --
Storage of digital video contents / Ee Taek Lee (pág. 14) --
History of film technology / Jae Hyung Lyou (pág. 22) --
Using swatch books and gels / Tchang Yu Kim (pág. 29) --
Home in the heart / Soo Yong Kim (pág. 34) --
Is short film or independent film? / Han Sup Kang (pág. 37) --
Director, Chang Kun Chun and I/ Ki Deok Kim (pág. 40) --
My passion for collecting the film materials / Young Chul Hong (pág. 46). (1998) Expecting new film archives... / Hee Joon Choi (pág. 2) --
Deutsches Institute fur Filmkunde / Claudia Dillmann (pág. 6) --
Film information out of the internet / Jung Soon Yi (pág. 12) --
A gloomy outlook on the Department of Cinema in universities / Tchang Yu Kim (pág. 18) --
Film heritages in France / Joo Deok Kim (pág. 21) --
A social satire mingled with affection and derision seized life / Jong Won Kim (pág. 25) --
The reason why we have to support independent films / Jung Yong Kim (pág. 29) --
The story of a great master, a legend / Bong Seung Shin (pág. 32) --
Collecting film materials – pleasure and impatience / Hee Moon Cho (pág. 42). (1998) Time to preserve and make good use of the media we have / Ki Won Seo (pág. 2) --
The national film and television archive / Anne Flemming (pág. 4) --
Frencuently updated film info on www / Myoung Joon Kim (pág. 8) --
Promotional devices to activate korean animated film production and cultural identify / Woo Sok Kang (pág. 12) --
Film legal deposit in France / Joon Deok Kim (pág. 16) --
Postwar syndrome generated by realism and it healing / Jong Won Kim (pág. 19) --
How can people talk about film culture without mentioning short film and cinematheque? / Gina Yu (pág. 22) --
Memory of film director Lee Kyu Hwan / Hyun Mok Yoo (pág. 25) --
Kino-maniacal day’s the wild hunt for film / Seung Ki Lee (pág. 28). (2000) The FIAF EC meeting in Seoul / sin autor (pág. 2) --
The Korean film archive and cinematheque / Kim Jeongok (pág. 8) --
A simple history of the chinese cinema / Doe Sunghee (pág. 10) --
Choi Eunhee as an actress and a director and minmyeoneuli / Byun Jairan (pág. 16) --
A stormy life , actor Kim Jinkyu / Cho Kwanhee (pág. 21) --
Kino drama film and day of movie / Cho Heemoon (pág. 25) --
Digital cinema, future or hype? / Lee Seungmoo (pág. 33) --
Film archive in North Korea / Shin Sangok (pág. 38). (2000) Personal opinion for cultural exchange between south and north / Cha Bumsuk (pág. 2) --
A simple history of the chinese cinema / Doe Sunghee (pág. 5) --
The divided man in the divided country, the film director Yu Hyunmok / Jung Jaehyung (pág. 11) --
Stormy life a simbol of oriental beauty – the story of Choi Eunhee’s life and art / Kim Jongwon (pág. 14) --
Drawing women’s life as seen by a womarn director / Byun Jairan (pág. 18) --
Tobacco trolley car and motion pictures / Cho Heemoon (pág. 22) --
24p hdcam + dlp projector = perfection of digital filmmaking / Lim Wangtae (pág. 31) --
Research on korean refugee cinema artists in Shanghai / Ahn Taegeun (pág. 35) --
Korean film archive to host the FIAC EC meeting in Seoul (pág. 39). (2001) Problems facing korean film industry / Ryoo Donghoon (pág. 2) --
Cinema from heaven down to earth / Kim Jiseok (pág. 7) --
Joys and sorrows in the life of a commoner: analyzing Kang Daejin’s coachman / Nyun Inshik (pág. 13) --
Spotlights on Choi Muryoung: his cinematic realms and affinitive qualities / Kim Jongwon (pág. 18) --
Warm remembrances of one big family at work / Yu Gina (pág. 24) --
Byun Sa another star of the silent film era / Cho Heemoon (pág. 30) --
The oldest actor Kim Ilhae as the presence of korean film history / Ahn Taegeun (pág. 38). (2001) 2001, the year of opening the new century of korean film / Lim Wonshik (pág. 2) --
Abundance and diversity of Indian film / Yoo Hyunmi (pág. 5) --
Chung Soyoung, a distinguished figure of melodrama... / Kim Sohee (pág. 12) --
Star, cineaste and the exceptional life – Kim Jimi / Yu Gina (pág. 16) --
A debate on arirang the film: legend and reality / Cho Heemoon (pág. 19) --
Success in love and a subsequent big time festival expressed in a Korean comedy... / Moon Hagsan (pág. 31) --
Historical survey on D-cinema / Kennets S. Park (pág. 37) --
Directing the actors / Lim Wangtae (pág. 43). Fall (2001) FIAF in the 21st century / Iván Trujillo (pág. 2) --
Strength of Thai cinema: how they could revive from crisis of ruin? / Kim Jiseok (pág. 9) --
Pioneer of korean action films: director Chung Changwha / Kim Sihyun (pág. 15) --
Hug Janggang – a man with innumerable countenances:... / Kim Hwa (pág. 20) --
Movie theatres another history of korean movie / Cho Heemoon (pág. 24) --
Transculturation and contact zone in korean horror cinema of 60s / Kim Soyoung (pág. 34) --
A report of technical test on HDTV system / Kim Tchangyu (pág. 37) --
A brief history of women in Korean filmmaking / Lee Soonjin (pág. 44). Winter (2001) Importance of film archiving and future of korean film archive/ Yoon Hyungkyu (pág. 2) --
The bright and darksides of Taiwan cinema / Doe Sunghee (pág. 6) --
Humanism embodied in his film – director Kim Keeduk / Cho Jaejung (pág. 12) --
Moon Jeongsook, her name as multiple characters and contradictory persona / Byun Jairan (pág. 15) --
What is movie, do yo know? Passion for movie and debates / Cho Heemoon (pág. 18) --
A short history of korean anti communist cinema / Cho Junhyoung (pág. 29) --
What is MPEG-7? / Kim Whoiyul (pág. 35) --
The constellation of three major international film festivals in Korea / Kim Seemoo (pág. 45). Summer (2002) Reflecting upon film archive/ Kang Hansup (pág. 2) --
On the roles and problems of cinematheque activities in Korea / Hong Sungnam (pág. 8) --
Et France crea le film / Ji Myungyok (pág. 12) --
Reviewing the history of korean cinema in 1950s and 1960s / Kim Sohee (pág. 18) --
1980 th korean new wave Lee Jangho / Yi Hyoin (pág. 24) --
Unparalleled villain for hire:... / Kheem Sam (pág. 29) -- Digital imaging technology in movie trailers / Park Jihong (pág. 33). Fall (2002) The sphere of director H.P. Lee.../ Cho Heemoon (pág. 2) --
Paradigm shift to digital media and the new role of film archive / Hyun Daiwon (pág. 7) --
Empire of idea and phantasy / Nam Wanseok (pág. 11) --
A study on the cinematurgy of the oldest scenario of Korea / Kim Sunam (pág. 17) --
A living witness who has a thousands of faces in the korean film history / Byun Jairan (pág. 21) --
Myth of the visual technology, 2002 FIFA worldcup game / Park Kyungsam (pág. 26) --
A brief study of film commission / Park Jongho (pág. 33). Winter (2002) Na Woonkyu – the pioneer and vagabond of early korean cinema / Cho Heemoon (pág. 2) --
Cultural significance of film restoration / Nam Inyoung (pág. 8) --
Empire of idea and phantasy / Nam Wanseok (pág. 12) --
Feminist reading for “love me once again” / Seo Insook (pág. 19) --
Hwang Hae, a great actor with charisma / Kheen Sam (pág. 23) --
A guide to select the right film festival and how to apply your film / Lee Yoonsuk (pág. 27) --
Built in illusion / Bae Yoonho (pág. 33) --
Journal of film & culture, back issues/ KFA (pág. 39). Spring (2002) Greetings from the korean film archive / Chung Hongtaek (pág. 2) --
Greetings form the FIAF / Iván Trujillo (pág. 3) --
Congress program / sin autor (pág. 4) --
Program schedule / sin autor (pág. 6) --
Current state and policy measures for korean film industry / Yoo Jinryong (pág. 13) --
Asian films yesterday today and tomorrow / Kim Dongho (pág. 17) --
A shadow of Byun – sa the storyteller of silent film / Cho Heemoon (pág. 19) --
History in film, film in history... / Yu Gina (pág. 26) --
Great expectation of Asian films masters / Kim Jiseok (pág. 32).

Publicación de Kodak vision. Seul, Korea.

Koreano.

ISSN: 1228-1816

Subjects--Topical Terms:
cine koreano--Publicaciones seriadas
Cultura koreana--Publicaciones seriadas